Bach’s Birthday Bash, part 2

ADDRESS
First Unitarian Society, 900 Mount Curve Avenue, Minneapolis, MN, , USADDRESS DETAILS
First Unitarian SocietyTIME
March 21, 201510:30:00 - 11:30:00
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INSTRUMENT
Presented in cooperation with the Twin Cities Chapter of the American Guild of Organists & Minnesota Public Radio’s PIPEDREAMS
Organ by Holktkamp/Cleveland, OH (Opus 1750, 1961; 3 manuals, 26 stops, 35 ranks)
BACH: Toccata in D, BWV 912 –Kevin Hobbs, piano
BACH: Allemande, fr Cello Suite No. 6 in D BWV 1012 –Ben Osterhouse, cello
BACH: Contrapunctus No. 10, a 4 alla Decima (Double Fugue, with two subjects occurring dependently, and in invertible counterpoint at the 10th) and Contrapunctus No. 12, a 4 (Mirror Fugue, rectus and inversus), fr The Art of Fugue, BWV 1080 –Chun-Han Sophia Lin, piano
BACH: Prelude, Sarabande & Gigue, fr Cello Suite No. 3 in C, BWV 1010 –Rosa Thompson-Vieira, cello
BACH: Prelude in c, BWV 546a– Nancy Lancaster, organ
Presented in cooperation with the Twin Cities Chapter of the American Guild of Organists & Minnesota Public Radio’s PIPEDREAMS
Organ by Holktkamp/Cleveland, OH (Opus 1750, 1961; 3 manuals, 26 stops, 35 ranks)
BACH: Toccata in D, BWV 912 –Kevin Hobbs, piano
BACH: Allemande, fr Cello Suite No. 6 in D BWV 1012 –Ben Osterhouse, cello
BACH: Contrapunctus No. 10, a 4 alla Decima (Double Fugue, with two subjects occurring dependently, and in invertible counterpoint at the 10th) and Contrapunctus No. 12, a 4 (Mirror Fugue, rectus and inversus), fr The Art of Fugue, BWV 1080 –Chun-Han Sophia Lin, piano
BACH: Prelude, Sarabande & Gigue, fr Cello Suite No. 3 in C, BWV 1010 –Rosa Thompson-Vieira, cello
BACH: Prelude in c, BWV 546a– Nancy Lancaster, organ
Presented in cooperation with the Twin Cities Chapter of the American Guild of Organists & Minnesota Public Radio’s PIPEDREAMS
Organ by Holktkamp/Cleveland, OH (Opus 1750, 1961; 3 manuals, 26 stops, 35 ranks)
BACH: Toccata in D, BWV 912 –Kevin Hobbs, piano
BACH: Allemande, fr Cello Suite No. 6 in D BWV 1012 –Ben Osterhouse, cello
BACH: Contrapunctus No. 10, a 4 alla Decima (Double Fugue, with two subjects occurring dependently, and in invertible counterpoint at the 10th) and Contrapunctus No. 12, a 4 (Mirror Fugue, rectus and inversus), fr The Art of Fugue, BWV 1080 –Chun-Han Sophia Lin, piano
BACH: Prelude, Sarabande & Gigue, fr Cello Suite No. 3 in C, BWV 1010 –Rosa Thompson-Vieira, cello
BACH: Prelude in c, BWV 546a– Nancy Lancaster, organ