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St. George’s Anglican Church
Campo San Vio
Dorsoduro, Venice

Just steps from the Accademia Bridge, between the Accademia and Guggenheim Museums

Venetia Antiqua Ensemble Ba-ROCKS Bach!!

Repertoire to include Hochzeitskantate “Weichet nur, betrübte Schatten,” BWV 202

Venetia Antiqua Ensemble is a synthesis of international performers with a vast range of experience and repertoire, all of whom live or have studied in Venice, and who have dedicated themselves to the preservation of the integrity of her Baroque musical traditions. All music is performed on original instruments or exact copies, using the performance practices of the time. Great care is taken in the research and choice of repertoire, which is culled from old favorites and unpublished but equally glorious works. Individually, the musicians continue to perform with many of the most famous conductors (Andrea Marcon, Sir Simon Rattle, Marc Minkowski, Alan Curtis, Sir John Eliot Gardiner, etc) and orchestras (Venice Baroque Orchestra, Solisti Veneti, Santa Fe Pro Musica, etc) in the world’s highest-level theaters and concert halls (Carnegie Hall, Wigmore Hall, Musikverein, etc). They record with top labels (Sony, Arts, Deutsche Grammophon, Towerhill, etc). More info at www.venicemusicproject.it.
A rare and versatile performer, Liesl Odenweller consistently delights audiences and critics throughout Europe in her unique and exciting interpretations of a wide variety of repertoire. She is the recipient of numerous awards and grants, and has sung operatic roles in some of the world’s most prestigious opera houses. Major concert engagements have included gala events in Venice and Rome, as well as in Milan and New York: Mozart Mass in C Minor, Poulenc Gloria, Strauss Vier Letzte Lieder, Vaughan Williams Dona nobis pacem, Pergolesi Stabat Mater, Mozart Requiem, Szymanovsky Stabat Mater, Brahms Requiem, and Fauré Requiem at Carnegie Hall, the Auditorium di Milano, Teatro La Fenice, Festival de La Ciotat, Eglise de la Madeleine, Palazzo Ducale, and the Ratzeburger Dom, collaborating with such orchestras as Riccardo Chailly’s Orchestra Verdi di Milano, the New England Symphonic Ensemble, and the Neue Bachorchestra. Liesl Odenweller’s gown and jewels are designed by Gualti of Venice. More complete information is available at www.lieslodenweller.com.Venetia Antiqua Ensemble Ba-ROCKS Bach!!

Venetia Antiqua Ensemble
Liesl Odenweller, Soprano

In this homenage to Johann Sebastian Bach in Mexico City, 5 musicians will play some works with instruments that did not existed in Baroque like tuba and piano. Instruments that were not very common as french horn and clarinet. And with the violin as birth as a concertante instrument.

We consider to remember in this way the great master that make possible indirectly with his music that those instruments develop to what we have nowadays.

Sonata BWV 1001 – Erika Cano (violin)

Sonata BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.In this homenage to Johann Sebastian Bach in Mexico City, 5 musicians will play some works with instruments that did not existed in Baroque like tuba and piano. Instruments that were not very common as french horn and clarinet. And with the violin as birth as a concertante instrument.

We consider to remember in this way the great master that make possible indirectly with his music that those instruments develop to what we have nowadays.

Sonata BWV 1001 – Erika Cano (violin)

Sonata BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.In this homenage to Johann Sebastian Bach in Mexico City, 5 musicians will play some works with instruments that did not existed in Baroque like tuba and piano. Instruments that were not very common as french horn and clarinet. And with the violin as birth as a concertante instrument.

We consider to remember in this way the great master that make possible indirectly with his music that those instruments develop to what we have nowadays.

Sonata BWV 1001 – Erika Cano (violin)

Sonata BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.

In this homage to Johann Sebastian Bach in Mexico City, 5 musicians will play his works on instruments that did not exist in the Baroque era – tuba and piano; on instruments that were not so common – french horn and clarinet; and with the violin to celebrate its birth as a concertante instrument.

In this way we remember the great master whose music helped make possible the development of our modern instruments today!

Sonata BWV 1001 – Erika Cano (violin)

Partita BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.In this homenage to Johann Sebastian Bach in Mexico City, 5 musicians will play some works with instruments that did not existed in Baroque like tuba and piano. Instruments that were not very common as french horn and clarinet. And with the violin as birth as a concertante instrument.

We consider to remember in this way the great master that make possible indirectly with his music that those instruments develop to what we have nowadays.

Sonata BWV 1001 – Erika Cano (violin)

Sonata BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.In this homenage to Johann Sebastian Bach in Mexico City, 5 musicians will play some works with instruments that did not existed in Baroque like tuba and piano. Instruments that were not very common as french horn and clarinet. And with the violin as birth as a concertante instrument.

We consider to remember in this way the great master that make possible indirectly with his music that those instruments develop to what we have nowadays.

Sonata BWV 1001 – Erika Cano (violin)

Sonata BWV 1002 – Aarón Heredia (clarinet)

Suite BWV 1009 – Alicia Fernández (french horn)

Partita BWV 1013 – Fabian Campuzano (tuba)

Klavierkonzert BWV 1056 – Carmen Fregoso (piano soloist) with violin, clarinet, french horn and tuba.