Tamara Friedman  (of Gallery Concerts and Ladies Musical Club of  Seattle) performs the Prelude & Fugue I in C Major, WTC Book I, BWV 846.

Timothy Tan, student of Jason Kuo, performs the Prelude & Fugue II in c minor, WTC Book I, BWV 847.

Rachel Matthews (of Seattle Music Teachers Association) performs the Prelude & Fugue III in C# Manor, WTC Book I, BWV 848.

Rachel Matthews (of Seattle Music Teachers Association) performs the Prelude & Fugue IV in c# minor, WTC Book I, BWV 849.

Dr. Jensina Oliver performs the Prelude & Fugue V in D major, WTC Book I, BWV 850.

Paul Smetko performs the Prelude and Fugue VI in d minor, WTC Book I, BWV 851.

Brent Woo performs the Prelude & Fugue VII in E flat Major, WTC Book I, BWV 852.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club of Seattle) performs the Prelude & Fugue VIII in e flat minor, WTC Book I, BWV 853.

Marsha Wright (of Seattle Music Teachers Association and Ladies Musical Club of Seattle) performs the Prelude & Fugue IX in E Major, WTC Book I, BWV 854.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club 0f Seattle) performs the Prelude & Fugue X in e minor, WTC Book I, BWV 855.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club 0f Seattle) performs the Prelude & Fugue XII in f minor, WTC Book I, BWV 857.

Qing Tian performs the Prelude & Fugue XIII in F# Major, WTC Book I, BWV 858.

Men-Qi Chen performs the Prelude & Fugue XIV in f# minor, WTC Book I, BWV 859.

Marsha Wright (of Seattle Music Teachers Association and Ladies Musical Club of Seattle) performs the Prelude & Fugue XV in G Major, WTC Book I, BWV 860.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club 0f Seattle) performs the Prelude & Fugue XVI in g minor, WTC Book I, BWV 861.

Nicole Truesdell (of Ladies Musical Club of Seattle) performs the Prelude & Fugue XVII in A flat Major, WTC Book I, BWV 862.

GraceAnn Cummings (of Inside The Music and Seattle Music Teachers Association) performs the Prelude & Fugue XX in a minor, WTC Book I, BWV 865.

Katie O’Rourke performs the Prelude & Fugue XXI in B flat Major, WTC Book I, BWV 866.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club 0f Seattle) performs the Prelude & Fugue XXIII in B Major, WTC Book I, BWV 868.

Karin McCullough (of Seattle Music Teachers Association and Ladies Musical Club 0f Seattle) performs the Prelude & Fugue XXIV in b minor, WTC Book I, BWV 869.

Emiko Hori performs the Prelude & Fugue I in C Major, WTC Book II, BWV 870.

Dr. Jensina Oliver performs the Prelude & Fugue II in c minor, WTC Book II, BWV 871.

Paul Smetko performs the Prelude & Fugue III in C sharp Major, WTC Book II, BWV 872.

Gloria Tzuang student at Marsha Wright Piano Studio, performs the Prelude & Fugue V in D major, WTC Book II, BWV 874.

Audrey Roh performs the Prelude & Fugue VI in d minor, WTC Book II, BWV 875.

Gloria Tzuang, student at Marsha Wright Piano Studio, performs the Prelude & Fugue VII in E flat Major, WTC Book II, BWV 876.

Riley Kua (student of Dr. Danius Vaicekonis) performs the Prelude & Fugue IX in E Major, WTC Book II, BWV 878.

Mark David Hensley performs the Prelude & Fugue X in e minor, WTC Book II, BWV 879.

Katie O’Rourke performs the Prelude and Fugue XI in F Major, WTC Book II, BWV 880.

Rebecca Bennett performs the Prelude & Fugue XII in f minor, WTC Book II, BWV 881.

Andrew Barnwell (student of Dr. Danius Vaicekonis)  performs the Prelude & Fugue XIV in f# minor, WTC Book II, BWV 883.

Sage Minard (student of Laura Dean) performs the Prelude & Fugue XV in G Major, WTC Book II, BWV 884.

Anne Reese (of Seattle Music Teachers Association) performs the Prelude & Fugue XVIII in g# minor, WTC Book II, BWV 887.

Laura Dean (of Seattle Music Teachers Association and Ladies Musical Club of Seattle) performs the Prelude & Fugue XX in a minor, WTC Book II, BWV 889.

Andrea Kahn performs the Prelude & Fugue XXII in b flat minor, WTC Book II, BWV 891.

Maria Khavin (of Ladies Musical Club of Seattle) performs the Prelude & Fugue XXIV in b minor, WTC Book II, BWV 893.

The Coffee Cantata, an English translation by Marianne Weltmann, performed by soprano Katie Hochman (Ladies Musical Club of Seattle); baritone Michael Monnikendam; tenor Justin Kalm; pianist Karin McCullough; flautist Eun Hee Cho, violinist Jason Hershey; violist Linda Gagnier.

Flutist Diana Irving returns to Bach in the Subways – Los Angeles for her second year and for 2015 she’s invited her flutist daughter, Alexa Smith, an elementary school teacher. Last year Diana lulled us to siesta mode with her lunch time performance at  Metro Stop: Civic Center/Grand Park. This year, Diana and Alexa will be performing together at the historic Union Station first at Location A by TRAXX at 3:00pm-3:25pm and at Location C by Vignes St 4:30pm-4:55pm.
Full Schedule of the 10-HR Bach Marathon at Union Station.

www.insidethemusic.com

 

3-19 Dance Art 3-19Dance Art Founded and Directed by Beatriz E. Vasquez uses and combines the language of Ballet,World Dance, Performance Art, Music and Visual Art, to transport those around to a different place in time. Beatriz E. Vasquez creates works that draw from different disciplines and ethnicities bridging the gap between cultures, gender, and the lines that so often divide humanity. 3-19 Dance Art has been featured at the LA Day of the Dead at the Hollywood Forever Cemetery 2011, 2014, Echo Park Art Walks 2011,2012, Mi Alma Garden, The Memorial Play House in Santa Monica, CA, Barnsdall Gallery Theatre, Plaza Mexico in Lynwood, The Mexican Cultural Center at Olvera Street, Mercado La Paloma, Pomona Art Walk, UCLA, Highways Performance Art Space, USC School of Genetic Science, Grand Performances at CA Plaza, Festival De La Calle Ocho, Human Resources Art Gallery. Its members are: Nora Cuevas, Ernesto Mañacop, Omar Rodriguez Diaz and Beatriz Eugenia Vasquez. Visual Art, Media and Props: Alfredo Iraheta. Musical collaborators: George Ramirez, Fernando Fraustro, Mateo Latosa. Make up: Emily Ruiz Camacho https://www.beatrizeugenia3-19danceart.com/ “I chose numbers to define my work as my work has no ethnicity, I swim in the waters of each culture as if it was my own. We live in a global world and I choose to be inclusive of everyone and everything as opposed to delineate boundaries.” “Beatriz Eugenia Vasquez”