Bach in the Subways

An international movement to sow the seeds for future generations of classical music lovers by generating public interest and excitement for the art form.

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Piano Studio of Katie O’Rourke

Written by Katie O'Rourke

Nicole Truesdell

Written by Nicole Truesdell

Perrin Herman

Perrin is 8 years old piano player, student of teacher Karin.

Written by Kathy Qin

Two guitars: Christopher Gross and Karin McCullough

Christopher Gross earns his living as a piano technician but is also an active performer, playing guitar in the rhythm section of North South Jazz swing band, in a couple different rock-n-roll bands & in a vaudevillian-style show band known as “The Fremont Philharmonic,” directed by Kiki Hood, which participates in The Moisture Festival each summer. As a former member of the Northwest Chamber Chorus under the direction of Joan Conlon, Chris most recently soloed in “He Is An Englishman” (from H.M.S. Pinafore) in an NWCC reunion concert, “Topsy Turvy,” a Gilbert & Sullivan revue. Chris is also a jazz composer: in 1999 The Christopher Gross Ensemble, a jazz fusion band, released two CDs (“Hit the Mark” and “The Hidden Tiger”).

Karin McCullough is a Nationally Certified Teacher of Music (https://sites.google.com/site/karinmcculloughpianocom) who gives piano lessons in her Ballard studio & performs often in the Seattle area, most frequently under the auspices of Ladies Musical Club. She co-led 2 music history tours of Vienna in the early 2000s. She’s the Principal Organizer in Puget Sound for the international movement Bach in the Subways on or around each March 21 & acts as Librarian for Seattle Music Teachers Association. She has on numerous occasions played on KING FM’s show NW Focus Live; her most recent radio performance there was recorded & is available on NPR (https://livesessions.npr.org/videos/brandi-birdsong-karin-mccullough-h-leslie-adams-branch-by-branch-from-five-millay-songs).

Written by Karin McCullough

Bach in the Subways at Crossroads Mall, Main Stage

All musicians are invited to sign themselves up by way of this bachinthesubways.org using Register a Performance for this venue. This venue provides an upright piano on stage. Please be sure when you register your performance that no one else has claimed the same time as you have, and be sure your time does not overlap with another musician’s performance. (Please note the Greater Seattle area does NOT have permission this year to make music at any of the Transit Stations. However, you are welcome to contact the appropriate managers at any venues you’d like to perform but it is up to you to get their permission first.)

Written by Karin McCullough

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